Instrument

Mogees is great news for all the air guitarists out there. This tiny device, built by Bruno Zamborlin for his Arts and Computational Technologies PhD project, offers a whole new way of expressing yourself musically, even if you don’t have the slightest idea how to play an instrument. Mogees, or a “Mosaicing Gestural Surface," is based on a simple contact microphone that turns any hard surface into a musical interface for triggering audio samples. What sets Mogees apart from other interfaces of this kind is that different types of touch stimuli generate different output. Simple gestures like scratching, rubbing or tapping can produce a surprising array of sounds worthy of a serious experimental music set up. Read More

Taking an old computer or game console and modifying it for music isn't very new; it's even spawned its own style of music called "chiptunes." But most artists that do this end up standing behind a table while they perform, since that gear can take up quite a bit of room. So, like the keyboard player who looked at the guitarist and said, "Hey! I want to do that!" one musician has created a handheld musical instrument out of a 1970's game console. Australian chiptune artist, cTrix, crafted together an Atari 2600, some custom software, and various musical modifiers to build a standalone instrument that he calls the "gAtari 2600." Read More

The closing of the year is a great time to reflect on recent events. Regular readers will already know that musical instrument development is a bit of a passion of mine, and 2011 has been a great year for innovation. Join me, if you will, for a quick retrospective look at some of the tech we've been treated to during the last 12 months, ending with a recent take on an old classic - the Crap-o-Caster. Read More

You just never know what you've got in the shed. This horary quadrant was found in a bag of old pipe fittings in a shed on a farm in Queensland, Australia, forty years ago. Last year the owner of the quadrant was surfing the internet and came across this article where he recognised not just the same tool, but the same stag-coronet insignia that was on his quadrant (he thought it was an astrolabe) signified it was made for King Richard II (of England). He subsequently contacted the British Museum, which identified the item sitting on his desk for the last forty years as a 1396 horary quadrant. It will be auctioned next month and is expected to fetch between GBP150,000 and GBP200,000. Read More

The phenomenal success of music-related mobile apps has forced many of us old timers to have a good rethink about the way we make music in the 21st Century. For many musicians - including The Gorillaz and Bjork - Apple's iPad is taking center stage in the production of modern music. Digital instrument innovator Harvey Starr is also looking at the iconic tablet as a way of giving more people the chance to experience the power of Starr Labs' custom-built electronic guitars at a fraction of the cost. Pairing the iPad with his company's button-based electronic guitar fingerboard, Starr is developing a new hybrid monster called the iTar. Read More

Even though touch-sensitive digital music interfaces like Roger Linn's LinnStrument offer users access to whole new worlds of sonic expression, there's still something very appealing about the feel of real wood beneath the fingers. The Soundplane Model A throws cold plastic playing surfaces out the window and presents players with 150 walnut keys incorporating patent-pending continuous capacitive sensing technology, for a computer music controller with the feel of an acoustic instrument. Read More

We've seen a number of weird and wonderful musical creations here at Gizmag but we have to agree with the creator of the hipDisk when she describes it as possibly the most undignified musical instrument ever. This strange interactive sonic system is made up of a pancake tutu-like disk at the hip and another above the waist which cause a sound to be generated when the two disks meet at specific points around the edge. In order to get to those points and create simple monophonic tunes or melodies, the wearer has to twist, turn, bend or stretch so that the two conductive contact points meet. Read More

The word "grand" just doesn't seem to cut it when describing this piano. Created by Polish designer Robert Majkut, the Whaletone's beautiful design evokes its sea-going namesake slowly emerging from the water and combines this with the technology of a high-end professional stage instrument in a way that's likely to appeal to both music and design connoisseurs. Read More

Ever since the dawn of electronics, inventors have looked at weird and wonderful ways of getting at the wealth of opportunities offered by synthesized sound. The instruments through which such sounds are controlled by a player have enjoyed much variety in form, size and functionality in the years since. While most have been keyboard-based, some – like the Theremin – have broken away from tradition to offer an altogether different way of playing. French sound and sensor innovator Eowave has recently updated an instrument that uses a more modern approach to the ribbon-based synthesizer technology used by the likes of Dr Freidrich Adolf Trautwein for his Trautonium – the Persephone Mark II. Read More