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Guitar


— Music

EHX splices together three stomps to create Epitome

By - April 3, 2013 1 Picture
New York's Electro Harmonix (EHX) has taken three of its most popular stomps and merged them into one compact Epitome unit. A player can choose to operate the Micro POG, Stereo Electric Mistress and Holy Grail Plus independently, or blend them all together for some seriously powerful sonic madness. In addition to catering for even more tonal experimentation by mixing up the signal chain, the intriguing Shimmer button can also turn one of the four reverbs into a delay, generate an infinite drone or a wild swirling leslie-type sound. Read More
— Music

Skate Guitars breathes new life into old decks

By - March 20, 2013 30 Pictures
Though looking street-worn, beaten and abused can actually be a rather favorable look for a skateboard deck, there comes a time when stylish scuff gives way to unsightly eyesore and it's time to break in a new board. Rather than simply throw away all that quality wood, offbeat Argentinian luthier Ezequiel Galasso and pro skateboarder Gianfranco de Gennaro Gilmour have teamed up to repurpose old boards into "born to shred" guitars. Read More
— Music Review

Review: THR10C high-end boutique home/studio amp from Yamaha

By - March 12, 2013 17 Pictures
Though ready and willing to take full advantage of all that the digital tone modeling revolution has to offer, like many guitar gearheads, I fall back on my trusty tube amps and analog stomps when it's time to get serious. Color me intrigued, however, when Yamaha's two-strong THR Series solid state combo amps hit the shelves at the beginning of last year – featuring the company's Virtual Circuitry Modelling (VCM) technology for authentic-sounding tone, even at low volume. Three new models made a U.S. debut at the Winter NAMM Show back in January 2013, and I've been discovering exactly what VCM tubes sound like with the THR10C solid state boutique home/studio amp. Read More
— Music

FLEXeFX puts stompbox tone control at your feet

By - February 20, 2013 8 Pictures
Most guitarists will have tweaked each stompbox in a pedal board chain well before the gig starts, and will probably stick to the same bank of available tones for the whole performance. Those in the mood for sonic experimentation, however, might feel tempted to dive down mid-song for a remix using the control knobs on the front of the effects pedal. If you're smart (or quick), no-one will notice. If you had a FLEXeFX pedal or two, though, you wouldn't even have to take your gifted hands away from the guitar at all. You could change your sound on the fly using your foot. Read More
— Music Review

Review: Peavey AT-200 guitar with Auto-Tune technology

By - February 12, 2013 14 Pictures
Gizmag has been following the development of the Antares Auto-Tune for Guitar technology with great interest since it was first teased back in May 2011. In January 2012, it was launched in two guitars at the Winter NAMM show, but only one of those has actually made the leap into production. Peavey released its AT-200 as last year came to a close, and I've spent the last few weeks in the company of this game-changing guitar while also chatting with some of the folks involved in its development. Read More
— Music

Weird and wonderful: the best instruments of 2012

By - December 30, 2012 15 Pictures
Should you find yourself thinking about supergroups, you'll likely center on the famous names that make up the bands and not the instruments they use. Led Zeppelin's Jimmy Page, for example, rather than the double-necked Gibson EDS-1275, or Cream's Jack Bruce instead of his Gibson EB-3, or Brad Wilk of Audioslave/RATM and not the custom Gretsch drumkits he uses. Being as much fans of the tech behind the hits as the talented folks who create them, we've grouped together a super collection of favorite music-making gadgets from the past year. Read More
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