Noted rock vocalist and bass player Glenn Hughes (Trapeze, Deep Purple, Black Sabbath, and more recently Black Country Communion) has often been quoted as saying that, for him, much of the 1980s was just a blur. It's probably just as well, or he might have had a hard time dealing with the emergence of the keytar - a strap-on keyboard that has a little neck with a number of parameter-changing buttons on it. Okay, I admit it, I'm not a great fan of the Jan Hammers and Jean-Michel Jarres of this world, but those who want to emulate these digital music innovators without digging deep for a Korg, Roland or Moog original can now rejoice with the release of the world's first USB/MIDI keytar - the Vortex from Alesis.
The sound and feel of modern music was changed forever in the late 1990s when Antares launched its Auto-Tune pitch correction technology. As well as putting some life back into flat performances, the system was also used to great effect by the likes of Cher and T-Pain to give a unique twist to vocal tracks. The company announced its intention to bring the technology to the electric guitar in May 2011, sending shivers down the spines of purists everywhere. Now Peavey and Parker have launched the first guitars to incorporate Auto-Tune for Guitar and we've had the chance to take a closer look at the former's AT-200 in action at Winter NAMM in Anaheim. The verdict: pretty impressive.