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Tripods

— Mobile Technology

Swivl pans your smartphone to keep you in the shot

By - November 14, 2011 4 Pictures
When I was a kid, it always used to bug me when someone was supposed to be talking on a locked-off “video phone” in a movie, and yet the phone would pan with them to keep them in the shot! Well, like a lot of other things from sci-fi movies of the past, motorized face-tracking webcams are now a reality – albeit, they’re still not very common. As it turns out, however, more and more video calls are being made not from desktop computers, but from smartphones. So, that being the case, how do you go about getting one of those to pan with you? Well, you could buy something like the Swivl. Read More
— Mobile Technology

Capta connects any smartphone to a tripod

By - November 4, 2011 8 Pictures
One thing you can say about smartphones: their limitations have opened the door for all sorts of new inventions. Among those limitations are the facts that many phones lack a tripod mount, and require a model-specific cover/kickstand if you wish to prop them up. That's where Adewale Adelusi-Adeluyi and Bojan Smiljanic's invention, called Capta, comes in. It's a universal stand, tripod mount and cable management system, that works with any make or model of smartphone, or other mobile device. Read More
— Digital Cameras

CineSkates turn GorillaPod into camera dolly

By - August 25, 2011 5 Pictures
If you’re a videographer, and want to elevate your work from just looking competent to looking slick, one of the best things you can do is put your camera on a dolly. No, I’m not talking about a Ken or Barbie, but a wheeled camera mount that allows you to do smooth, fluid tracking shots. While the Spielbergs of the world use actual purpose-built camera dollies, lower-budget film-makers often make do with wheelchairs, skateboards, or wheeled spreaders that mount on the bottom of industrial-sized tripods. Given the popularity of JOBY’s compact and flexible GorillaPod tripods, however, it perhaps shouldn’t be surprising that someone has developed a wheel system for them – it’s called CineSkates. Read More
— Digital Cameras

DuoPod concept designed to steady up DSLR film-making

By - June 27, 2011 18 Pictures
Shooting movies and television shows using digital SLR (DSLR) cameras that also record high definition video is becoming much more widespread - in fact, the Season 6 finale of House was shot using Canon's EOS 5D Mark II camera, and Philip Bloom is said to have shot a number of scenes for the upcoming Lucasfilm World War II film Red Tails using the very same model. If you're looking to make your own DSLR epic, then you'll want to keep things steady while chasing someone down the stairs or running after your star through a busy city street. The Mount Kestrel Duopod concept from designer Ben Millett is a solid-looking shoulder-mounted steadicam rig that can also double as a floor-standing, two-legged camera platform. Read More
— Digital Cameras

RigWheels dolly/slider system for DSLR filmmakers

By - April 7, 2011 7 Pictures
DSLR cameras have brought high-def video capture into the hands of vast numbers of people like myself – people who have now had a glimpse at the possibility of making pro-standard video but who don't have the cash for all the pricey accessories that you need to move to the next level. So a bunch of businesses are taking creative approaches to bring down the cost of moviemaking – and here's a neat example. RigWheels are a simple and compact way to build yourself a cheap camera dolly to liven up your footage with sliding shots – the visual effect is similar to what we got with a slightly more expensive Glidetrack-type slider rig on our recent Zero Electric Supermoto review video. Read More
— Electronics

Joby ups the intensity with new Gorillatorch Blade

By - October 11, 2010 6 Pictures
Joby’s Gorillatorch line has been removing the torches from DIYer’s mouths and underarms for a while now with its original 65-lumens Gorillatorch, which was joined earlier this year by the more powerful 100-lumens Gorillatorch Flare. For the latest addition to the line Joby has again upped the light intensity with the new Gorillatorch Blade. The Blade features the instantly recognizable flexible legs that are found on all Gorillapod tripods, along with a long-lasting CREE XLamp XP-C LED producing up to 130 lumens of light output, which can be adjusted from spot to flood. Read More
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