Roland

If you're a fan of 1980s music, then there's a very good chance that you'll already be familiar with the electronic beats provided by what's widely regarded as the drum machine that started it all, Roland's TR-808. It set the mood for Marvin Gaye's Sexual Healing, fired shots at David Byrne in the concert movie Stop Making Sense and was the inspiration for the naming of the band 808 State. In his own homage to the iconic device, electronic music tinkerer Moritz Simon Geist has mechanically reproduced 11 of its key sounds using real instruments played by robots within the supersized, wall-filling frame of the stunning MR-808.  Read More

Surely no working drummer would seriously entertain the use of drum pants or t-shirts to make the burden of transporting and setting up a kit a little easier, but even conventional acoustic skin bashers might give electronic drums a whirl. The e-drumkit takes up much less room in the back of the band's van, is always in tune and can sound just like the real thing, or just about anything else you might want the various pads to sound like. In the case of Roland's new TD-4KP V-Drums Portable, the whole setup can be collapsed down and carried under the arm.  Read More

3D printers are certainly hot technology these days, with machines like the Printrbot, MakerBot and Cubify launching on a regular basis. But while most of these devices focus on building something from the ground up, Roland DG has unveiled a new machine that does the exact opposite. Rather than slowly building a model by adding layers of material, the iModela iM-01 3D Modeling Machine carves its creations down from a larger block of material, like a small, automated sculptor.  Read More

Roland and Fender have joined forces to create a guitar called the G-5, that fuses a traditional Stratocaster body shape with cutting edge digital music technology. Set to hit the shelves a few months before either of the Auto-Tune guitars from Peavey and Parker, the VG Strat G-5 offers similar alternate tuning at the turn of a knob, a host of onboard digital guitar emulations and the chance to dial in different pickup and signature guitar sounds, too.  Read More

Roland says that realism is at the very heart of its new Jupiter-80 performance synth. The company claims that the kind of expressive acoustic instrument authenticity delivered by its analog sound modeling technology simply couldn't have been made available before now. Studio and live performers can access a huge bank of preset sounds which are said to go beyond mere sampling of acoustic, electric, orchestral and ethnic instruments, then manipulate those sounds into something vintage, modern or futuristic, or create and store their own layered sonic stacks. Control of the action comes courtesy of a touchscreen display and numerous buttons, knobs and sliders.  Read More

When musical inspiration hits, it's vital to get it recorded before it disappears. Handheld recorders like Tascam's DR-07 MkII recorder and or Zoom's new H2n Handy Recorder are useful in this regard, but if you need a little more flexibility, something like a pocket-sized version of the BR800 portable recording studio could be the answer. Roland has announced that its BOSS MICRO BR multi-track digital recorder has now been updated. The MICRO BR BR-80 has twice the simultaneous playback tracks of its predecessor, a new effects processor and the ability to reduce the presence of vocal and lead guitar of pre-recorded audio to give players the chance to create their own.  Read More

In the late seventies, Roland took the sonic palette available to keyboard players and opened it up to guitarists, with the introduction on the GR-500. It was quite simply a marvel, but is positively primitive when compared to the latest evolutionary leap taken by the company with the GR-55 guitar synthesizer. Featuring a pair of independent synthesizer sound engines and a Composite Object Sound Modeling (COSM) engine, the device makes hundreds of different sounds available to the player – anything from pianos to strings, drums to synths, various acoustic and electric guitar and bass emulations, as well as numerous amplifiers.  Read More

With over a million sales notched up, Roland has announced that the next generation of Cube amplifiers is ready to be let loose. The Cube XL series is available in four sizes, starting at the practice 15W version right up to a gig-worthy 80W model. The amps all feature a host of tones and effects and an auxiliary input to allow a portable music player to provide backing tracks. Features on offer from the new range include amp modeling, channel-switching and a strange-sounding power squeeze function. Roland has also unleashed a couple of BOSS guitar effects pedals – one that offers the player pitch control and voice harmony possibilities and the other squeezing some tube amp sounds into a palm-sized stomp box.  Read More

A new portable digital recording unit has just been added to the BOSS guitar and bass family. Capable of recording up to four tracks simultaneously and playing back eight at a time, the BR800 also has high-end, onboard vocal and instrument effects and its own rhythm generator. Although there's still a splattering of dials and sliders, most of the user controls are now operated by a gentle tap on the device's surface.  Read More