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Retro

— Digital Cameras

Lomography makes old new again with a modern take on the Petzval Portrait Lens

By - July 25, 2013 7 Pictures
Lomography is looking to make old new again with the reinvention of a 19th century lens known as the Petzval. This lens creates an instantly recognizable image style famous for its sharpness, color saturation, and swirly Bokeh effect in the background of the shot. It also has an incredibly narrow depth of field, which creates a very distinct look, especially for portraits. Read More

King Edison combines a chandelier and a light bulb

Chandeliers can be pretty classy if they’re done right, but they can also take up a lot of space and gather a lot of dust. What someone should do is make a tiny chandelier, and encase it in a light bulb-like globe. Well, wouldn’t ya know it, that’s just what UK designers Brendan Young and Vanessa Battaglia did – and you can buy one, if you’ve got the cash. Read More
— Good Thinking

NeoLucida brings 19th Century sketching tech into the present

By - May 8, 2013 8 Pictures
As long ago as 1807 – and possibly up to 200 years earlier – many artists used an optical device known as a camera lucida to help them in sketching subjects. A controversial theory even suggests that some of the famous Old Masters created their masterpieces not by sketching freehand, but by using such gadgets. Now, two art professors are trying to bring the camera lucida back, in the form of the low-cost portable NeoLucida. Read More
— Electronics

Bioscope plays digital movies in relative time

By - April 18, 2013 4 Pictures
Though digital technology offers home movie-makers the advantages of increased quality and convenience compared to analog film, some of the “magic” has arguably been lost in the switch – few would liken double-clicking an icon to dusting off a reel of film, after all. Bioscope, by designers Jon Stam and Simon de Bakker, is a digital movie player that invokes the nostalgia of film, while simultaneously compelling the user to take an active role in their own viewing experience. Read More

Flatpack pinhole camera gets back to photography basics

Pinhole cameras – that use a pin hole rather than a lens – have been around since the beginning of photography and could be, to coin a popular phrase, a form of "vintage" innovation. A recent Kickstarter project aims to bring this established photographic methodology back to today's users in the form of an assemble-it-yourself cardboard pinhole camera. Read More
— Digital Cameras

Minox reveals its latest miniaturized retro-style digital camera

By - March 28, 2013 4 Pictures
Minox has revealed the latest version of its miniaturized digital classic camera, the Minox DCC 14.0. The tiny camera – which is made to a scale of 1:3 and can fit in the palm of your hand – features a 14-megapixel sensor, a fixed lens and an optical viewfinder. But users shouldn't expect image quality to rival higher-end (and considerably larger) retro-shooters like the Fujifilm X100S. Read More
— Motorcycles

A clean-sheet V-Twin engine for the new 2014 Indian Motorcycles line

By - March 23, 2013 19 Pictures
Indian Motorcycles has once again risen from the dustbin of history. Purchased by Polaris Industries in 2011, the 2014 model year involves a complete redesign of the Indian motorcycle line. The most notable new feature is the new Thunder Stroke 111 V-Twin engine. A fresh design from the ground up, the design goals included keeping the classic Indian engine look while implementing a 49 degree V-Twin geometry with modern technology. Read More
— Mobile Technology

"Searching for Sugar Man" becomes first movie partly shot with an iPhone to win an Oscar

By - February 25, 2013 2 Pictures
Last night's Academy Awards marked a number of achievements in film history, but there was one noteworthy accomplishment that wasn't mentioned on stage. While many people were focused on the high-profile Best Picture nominees and Hollywood stars, the low-budget film Searching for Sugar Man received the award for Best Documentary. Aside from earning plenty of acclaim for its director, Malik Bendjelloul, the film also became a technological milestone as the first movie partially shot with an iPhone to win an Oscar. Read More
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