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Guitar Effects

The Farmer's Mill Electric Mud Grinder from Crushsound

Inspired by the kind of brown or muddy tones produced by ZZ Top's Billy Gibbons on tracks like Loaded from the 1996 album Rhythmeen, Jedrzej Lewandowski of Poland's Le 2 Workshop architects created the Farmer's Mill, which was unleashed, appropriately enough perhaps, on April 1 2012. The second generation has now been released. It's a little bigger than its predecessor, a lot better, and is now available in orange as well as white. Gizmag has spent the last few weeks making guitars wheeze, cough and splutter like they've been smoking 40-a-day since birth, and walks way mighty impressed with the destructive capabilities of the Mark II Electric Mud Grinder.  Read More

The iRig BlueBoard wireless MID pedalboard from IK Multimedia

When I reviewed the OPC Musician's Computer in March 2012, I also got the opportunity to sample a full-featured version of IK Multimedia's equally impressive AmpliTube 3 guitar effects and amp simulation suite. I did note, however, that one downside was having to activate virtual pedals and tweak settings via the mouse (or in the case of iOS versions, by touching the virtual controls on the screen). The latest addition to the company's iRig family puts parameter control at your feet, in a wireless pedalboard called the BlueBoard.  Read More

The new Moog Minifooger analog stomp family

Moog Music has announced a new range of versatile and expressive analog effects stomps for electric guitar and bass. Each of the five affordable and compact Minifoogers features an expression pedal input that can be CV-controlled (just like an old Moog synth), and gives the player control of one predetermined parameter for the chosen unit, expanding the stomp's sound beyond what's available via the knobs up top.  Read More

The Guitarduino from Igor Stolarsky

In addition to being a talented player and having a guitar named after him, Les Paul was a dedicated tinkerer. It's rather fitting, then, that one of those famous guitars has been modified to include touch-controlled synths and effects, and an onboard drum machine. The system is built around an Arduino brain externally mounted near the bridge, which routes signals from sensors and buttons through custom code to a preamp/effects processor or a digital audio workstation suite. As you can see and hear from the video after the jump, the aptly-named Guitarduino is quite simply extraordinary.  Read More

Peavey is now shipping three Vypyr VIP amps featuring variable instrument input

While Peavey regularly releases electric guitars, like the excellent AT-200 for example, it's perhaps best known for its amplifiers. Five years after unleashing its Vypyr line of modeling amps, the company debuted three new additions at NAMM earlier this year. The first to sport a variable instrument input technology that allows them to be used for bass, acoustic or electric guitars, the Vypyr VIP amps are now shipping.  Read More

Electro Harmonix has combined a power trio of stomps into a single compact unit named Epit...

New York's Electro Harmonix (EHX) has taken three of its most popular stomps and merged them into one compact Epitome unit. A player can choose to operate the Micro POG, Stereo Electric Mistress and Holy Grail Plus independently, or blend them all together for some seriously powerful sonic madness. In addition to catering for even more tonal experimentation by mixing up the signal chain, the intriguing Shimmer button can also turn one of the four reverbs into a delay, generate an infinite drone or a wild swirling leslie-type sound.  Read More

The Anti-Effect pedal from Poland's Chaosound imitates electroacoustic track damage for a ...

There are an awful lot of guitar effects pedals that massage, tweak, clean, or otherwise enhance the signal from a guitar's pickups before it reaches the amplifier. The Anti-Effect from Poland's Chaosound turns its back on all that goodness and tries its best to destroy the sound instead.  Read More

FLEXeFX allows guitarists to keep both hands on the instrument and change stompbox paramet...

Most guitarists will have tweaked each stompbox in a pedal board chain well before the gig starts, and will probably stick to the same bank of available tones for the whole performance. Those in the mood for sonic experimentation, however, might feel tempted to dive down mid-song for a remix using the control knobs on the front of the effects pedal. If you're smart (or quick), no-one will notice. If you had a FLEXeFX pedal or two, though, you wouldn't even have to take your gifted hands away from the guitar at all. You could change your sound on the fly using your foot.  Read More

Working in the strings before I plug in the AT-200 for the first time – it feels good in t...

Gizmag has been following the development of the Antares Auto-Tune for Guitar technology with great interest since it was first teased back in May 2011. In January 2012, it was launched in two guitars at the Winter NAMM show, but only one of those has actually made the leap into production. Peavey released its AT-200 as last year came to a close, and I've spent the last few weeks in the company of this game-changing guitar while also chatting with some of the folks involved in its development.  Read More

Three new BOSS stomps featuring Roland's Multi-Dimensional Processing technology have been...

The company that's said to have put the "stomp" in stompbox has detailed three new guitar effects pedals, featuring a new technology called Multi-Dimensional Processing (MDP) developed by its parent company Roland. The TE-2 Tera Echo is a landmark pedal not only because of the new signal processing technology, but also by virtue of it being the one-hundredth BOSS Compact Series model to be released. The MO-2 Multi Overtone uses a guitar's harmonic characteristics to build unique rich sounds that enhance the normal tone. Roland says that the DA-2 Adaptive Distortion unit makes use of the MDP technology to deliver perfect distortion wherever you play on the neck.  Read More

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