Advertisement

Filmmaking

hipjib turns your tripod into a jib arm

For so-called “crane shots,” film and video crews often actually use what’s known as a jib arm – a manually-operated device that can set you back more than a few bucks, and is a hassle to set up and tear down. Videographer Gert Wagner’s hipjib is designed to make things easier, by letting your tripod double as a jib arm. Read More
— Digital Cameras

BeSteady One is designed to let you be the steady one

The burgeoning product category of video camera stabilizers is set to get a little more crowded, as Polish engineers Jack Iwaniec and Max Salamonowicz are currently proving very successful in the crowdfunding of their new rig, the BeSteady One. Similar in principal to the MoVI M10 and Ghost, it basically consists of a horizontal crossbar with handles at either end, which the camera hangs below on a gimbal-mounted platform – although the rig can also be used with the camera sitting above the crossbar. Read More
— Digital Cameras

STABiLGO keeps your GoPro on an even keel

Looking for smoother hand-held video, but wanting something a little more high-tech than the SteadiCam Smoothee? Well, you might be interested in the STABiLGO. Designed for use with the GoPro HERO2 or HERO3, the gimbal-mounted stabilizing rig utilizes a gyroscopic sensor, a 32-bit high-speed microcontroller, and two electric motors to keep the camera horizontally and vertically level at all times. Read More
— Telecommunications

Sports broadcasts could soon feature Matrix-style replays

Along with its nihilistic cyberpunk style, the film The Matrix is famous for popularizing what’s known as “bullet time” photography. You know the shots where someone would run and jump, then they’d freeze and the camera would appear to track around them as they were frozen in mid-air? That’s bullet-time. Now, that same technology may be coming to live televised sporting events. Read More
— Digital Cameras Review

Review: Flex Shot moldable camera mount

For professional-looking videos, one of the fundamental rules for the vast majority of shots is to use a tripod. Doing so can be a hassle, however – particularly if you’re running around banging off quick shots for some sort of extreme sports video. With that in mind, New Jersey-based Wild Iron Inc. is introducing a little something known as the Flex Shot. Essentially, it’s a deformable 4 x 4-inch (10 x 10-cm) heavy-duty rubber bag full of a “sand-like material,” with a coated aluminum camera mount on top. I recently had a chance to try out a prototype unit, and I think the idea has a lot of merit. Read More
— Drones

DJI announces stabilized HERO mount, and camera-equipped Phantom quadcopter

Well, that didn’t take long. Just this January, DJI Innovations released its GPS-enabled Phantom quadcopter. Now, at this week’s National Association of Broadcasters show in Las Vegas, the company has unveiled a self-stabilizing camera mount that can be added to existing Phantoms, plus an upgraded Phantom that includes its own HD video camera. Additionally, DJI’s new iOS app allows users to view onboard video output in real time on their iPhone, iPad or iPod touch via Wi-Fi. Read More
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement