Highlights from the 2015 Geneva Motor Show

Filmmaking

The Ghost is a new motorized video camera stabilizing rig

When it comes to consumer/prosumer video camera stabilizing rigs, they fall into two main camps. You get the cheaper, purely-manual models like the Steadicam Smoothee, or more expensive, motorized units like the MōVI M10. Another product may soon be added to the latter group, in the form of Montana film-maker Jesse Spaulding’s creation, The Ghost.  Read More

The motorized, computerized STABiLGO GoPro stabilizing rig

Looking for smoother hand-held video, but wanting something a little more high-tech than the SteadiCam Smoothee? Well, you might be interested in the STABiLGO. Designed for use with the GoPro HERO2 or HERO3, the gimbal-mounted stabilizing rig utilizes a gyroscopic sensor, a 32-bit high-speed microcontroller, and two electric motors to keep the camera horizontally and vertically level at all times.  Read More

NHK's demo setup, for its new bullet-time system

Along with its nihilistic cyberpunk style, the film The Matrix is famous for popularizing what’s known as “bullet time” photography. You know the shots where someone would run and jump, then they’d freeze and the camera would appear to track around them as they were frozen in mid-air? That’s bullet-time. Now, that same technology may be coming to live televised sporting events.  Read More

Paul Components is now making a GoPro HERO camera mount that replaces the handlebar stem c...

GoPro HERO actioncams are proving to be pretty popular with mountain bikers, although not everyone wants to wear one of the cameras on their helmet or chest. Riders can always mount it on their handlebars, although now Paul Components is offering an alternative – a GoPro mount that replaces the handlebar stem cap.  Read More

The Brinno TLC200 Pro and its interchangeable lenses

Four years ago, we heard about Brinno’s GardenWatchCam – a fairly simple weatherproof camera, designed for getting time-lapse footage of growing plants. Since then, the company has set about making more general-purpose time-lapse video cameras. Its latest offering is the 1.3-megapixel High Dynamic Range (HDR) TLC200 Pro.  Read More

The Flex Shot in use on a tree branch

For professional-looking videos, one of the fundamental rules for the vast majority of shots is to use a tripod. Doing so can be a hassle, however – particularly if you’re running around banging off quick shots for some sort of extreme sports video. With that in mind, New Jersey-based Wild Iron Inc. is introducing a little something known as the Flex Shot. Essentially, it’s a deformable 4 x 4-inch (10 x 10-cm) heavy-duty rubber bag full of a “sand-like material,” with a coated aluminum camera mount on top. I recently had a chance to try out a prototype unit, and I think the idea has a lot of merit.  Read More

The Phantom Vision comes with its own 1080p app-controlled video camera

Well, that didn’t take long. Just this January, DJI Innovations released its GPS-enabled Phantom quadcopter. Now, at this week’s National Association of Broadcasters show in Las Vegas, the company has unveiled a self-stabilizing camera mount that can be added to existing Phantoms, plus an upgraded Phantom that includes its own HD video camera. Additionally, DJI’s new iOS app allows users to view onboard video output in real time on their iPhone, iPad or iPod touch via Wi-Fi.  Read More

MōVI M10 Gyroscopic Camera Mounting System

One of the most defining facets of any filmmaker’s style is how they position and move the camera. Though the time honored “tripod or dolly?” choice expanded with the advent of the Steadicam operator-controlled motion system in the 1980’s, the cost of even renting one (and the operator) have remained out of reach for the new breed digital filmmakers. Enter the MōVI M10 handheld gyroscopic camera mounting system from Freefly Systems – a motorized, triple gimbal system that provides rock-solid smoothness under ridiculous amounts of motion, both small and large, and for a fraction of its cost could offer what the Steadicam does – and potentially a whole lot more.  Read More

Blackmagic has expanded its line of cinema cameras with new low and high-end models

Blackmagic Design has announced two new cameras at the 2013 National Association of Broadcasters (NAB) show, providing both low and high-end alternatives to the popular Digital Cinema Camera it launched at last year's event. The Production Camera 4K is the beefier of the two devices and boasts some compelling features including an EF compatible lens mount, a Super 35 sensor, as well as 4K support. The Pocket Cinema Camera packs a Full HD Super 16 sensor into its slim magnesium alloy body, and offers some impressive functionality at a very competitive price point.  Read More

The motorized LineCam Flow system

If you’ve watched much in the way of higher-end mountain biking or snowboarding videos, chances are that you’ve seen shots obtained using a cable cam. Essentially, a cable cam is a small video camera mounted on a gondola-like shuttle that rolls along an elevated cable suspended parallel to the path of the action. The result is smooth, high-angle tracking shots, that look almost as if they were shot using a low-flying helicopter. Oregon-based entrepreneur Nick Braun now hopes that his LineCam system can make such shots possible for a wider variety of action film-makers.  Read More

Looking for something? Search our 31,259 articles
Editor's Choice
Product Comparisons