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Filmmaking


— Digital Cameras

Uneasy Lies the Mind – A feature film shot entirely on the iPhone

By - March 3, 2014 8 Pictures
While the folks at Apple would undoubtedly love it if filmmakers everywhere ditched their high-end video cameras for iPhones, the fact is that the phone's tiny lens, sensor and other features are no match for those on something like the RED Scarlet X. It was those limiting factors, however, that made the phone an ideal choice for the recently-completed indie psychological thriller, Uneasy Lies the Mind. It's being promoted as "The first narrative feature film to be shot entirely on the iPhone." Read More
— Digital Cameras

Bolex goes digital with the D16 Cinema Camera

By - December 24, 2013 6 Pictures
There was a time, not all that long ago, when most independent film-makers shot their projects on relatively-inexpensive 16mm film – it wasn't as pricey as 35mm, but was definitely a step up from Super 8. The cameras shooting that film were quite often made by the venerable Swiss manufacturer, Bolex. Today, in the age of digital video, film-makers wanting to take a step up from consumer-grade camcorders are looking at some pretty expensive gear. LA-based entrepreneurs Joe Rubinstein and Elle Schneider are trying to change that, with the introduction of their Digital Bolex D16 Cinema Camera. Read More
— Aircraft Review

Review (with video!): DJI Phantom 2 Vision quadcopter

By - November 13, 2013 12 Pictures
It was less than two weeks ago that DJI Innovations released its Phantom 2 Vision quadcopter, the camera-equipped successor to its popular Phantom model. Since then, I've received a review unit from the company, which I've had a few chances to try out – between snowfalls and high winds, that is. My verdict? It's awesome, despite a couple of surprising shortcomings. Read More

hipjib turns your tripod into a jib arm

For so-called “crane shots,” film and video crews often actually use what’s known as a jib arm – a manually-operated device that can set you back more than a few bucks, and is a hassle to set up and tear down. Videographer Gert Wagner’s hipjib is designed to make things easier, by letting your tripod double as a jib arm. Read More
— Digital Cameras

BeSteady One is designed to let you be the steady one

By - August 2, 2013 5 Pictures
The burgeoning product category of video camera stabilizers is set to get a little more crowded, as Polish engineers Jack Iwaniec and Max Salamonowicz are currently proving very successful in the crowdfunding of their new rig, the BeSteady One. Similar in principal to the MoVI M10 and Ghost, it basically consists of a horizontal crossbar with handles at either end, which the camera hangs below on a gimbal-mounted platform – although the rig can also be used with the camera sitting above the crossbar. Read More
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