Review: Olympus LS-100 Multi-Track Linear PCM recorder
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The front of the packaging
The rear of the packaging
The box contents, including the LS-100, carrying case, USB cable and AC adapter
The mixture of metal and hard plastic body lends a feeling of solid construction and durability
There are two XLR/Phone combo inputs on the bottom, which can provide 48/24-volts of phantom power to run either dynamic or condenser microphones or other devices
On the right, the battery compartment and SD card slot, and dual dials which offer independent control of the left and right recording levels
The two internal 90-degree directional stereo condenser microphones
On the left, a 3.5 mm ear and mic inputs, a mini-USB port, the power/hold button, a volume wheel and phantom power for left and right XLR/Phone ports
There's a jog dial bottom left and Record/Playback controls to the right, along with a file erase button
To the rear is a 23-mm round dynamic mono speaker and a tripod mount screw hole
Close up of one of those imposing microphones
The LS-100 has 4 GB of internal memory which can be expanded via the SD card slot
The default mode shown on the display after switching on is the Recorder mode
Before recording can begin, one of five folders needs to be selected
Olympus advises that the input levels do not exceed -6 dB for distortion-free recording
Close up of the dual input volume dials which offer independent control of the left and right recording levels
First press of the REC button allows users to check input levels before recording begins on the second press
The LS-100's Multi-Track recording screen
Each of the tracks has its own volume and panning controls
The onboard Metronome function can be applied on its own to help you keep time while you practice or while in synchronous recording
The Tuner function features a calibration mode which allows for adjustment of the reference tone by 1 Hz increments in the range of 435 Hz to 445 Hz
There's a lowcut filter to eliminate low-frequency sound (such as air conditioners or projectors) at 100 Hz or 300 Hz
The various Linear PCM recording quality options
The LS-100 can record to MP3 at up to 320 kbps
Users need to manually select the input mode
Spending some hands-on time with the Olympus LS-100 Multi-Track Linear PCM recorder
Musicians need to use the left XLR/Phone combo input when plugging in a guitar
The Lissajous function detects and displays the phase difference between the left and right external microphones to cater for optimum positioning
Its large size may be a stumbling block if the person you're interviewing is already a little nervous about speaking into a recording device
Cut-away of the LS-100's microphone
Article Summary
The often free audio recording apps that come pre-loaded on many smartphones are great for grabbing an impromptu interview, capturing all your innermost thoughts while out and about, or making sure you don't lose that killer riff whenever and wherever inspiration may strike. What isn't great is the quality of the audio. Add to that a distinct lack of features and you might be tempted to look in the direction of dedicated portable devices for all your sound recording needs. Having spent a week or so in the company of the Olympus LS-100 Multi-Track Linear PCM recorder, I can confirm that you really do get what you pay for.
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