A large wall mounted plasma screen can look somewhat redundant when you're not watching moving pictures so why not let it double as a static piece of artwork. Vision Art makes this possible by concealing wall-mounted plasma television screens behind
Giclee Limited Edition Fine Art Prints.
A remote controlled, motorised, retracting canvas is used to hide the plasma screen and by pushing the "Up" button the canvas silently retracts up inside the frame to reveal the screen . The "Up" and" Down" functions can also be integrated into a touchscreen or home automation system and to preserve the "feel" of the artist's original creation prints are digitally reproduced using the giclee ink spray method in which four million drops per inch of water-based ink are sprayed onto canvas attached to a spinning drum and then silk-screen varnished to enhance the colour definition and texture.
The hardwood frames are available in eight styles and 28 stock finishes with 300 works including art by five featured artists to choose from.
About the Author
Mike grew up thinking he would become a mathematician, accidentally started motorcycle racing, got a job writing road tests for a motorcycle magazine while at university, and became a writer. As a travelling photojournalist during his early career, his work was published in a dozen languages across 20+ countries. He went on to edit or manage over 50 print publications, with target audiences ranging from pensioners to plumbers, many different sports, many car and motorcycle magazines, with many more in the fields of communication - narrow subject magazines on topics such as advertising, marketing, visual communications, design, presentation and direct marketing. Then came the internet and Mike managed internet projects for Australia's largest multimedia company, Telstra.com.au (Australia's largest Telco), Seek.com.au (Australia's largest employment site), top100.com.au, hitwise.com, and a dozen other internet start-ups before founding Gizmag in 2002. Now he writes and thinks.
All articles by Mike Hanlon