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Gigantic 35-foot camera takes negatives larger than most people

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January 22, 2012

This giant camera is being built by photographer Dennis Manarchy as part of his 'Vanishing...

This giant camera is being built by photographer Dennis Manarchy as part of his 'Vanishing Cultures' project

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We've seen some pretty small cameras in our day, but the "Eye of America" is certainly the largest. The 35-foot camera can barely fit in a tractor trailer, and can capture photos so detailed that it will put even some of the most the high-end of digital cameras to shame.

The giant camera is being built by photographer Dennis Manarchy as part of his "Vanishing Cultures" project. For the project, Manarchy plans to travel to all 50 U.S. states with a view to creating a collection of photos and stories that "celebrates the full cycle of the American experience, that which is fading, that which is thriving, and that which is just beginning."

The gigantic camera is fashioned after traditional film cameras of the past, sporting veneers of recycled wood, leatherette, and brass fittings. Since the camera is so huge, its frame will be made with welded aluminum adding additional strength and stability. Given the camera's large size, it is capable of capturing images at an exceptionally high resolution. The detail found in just the eyeball of one of the portraits is "one thousand times greater than what you get with an average negative."

The size of the camera allows Manarchy to take exceptionally large photos, but it also allows those around to get a better understanding of how cameras work in general. The back of the camera opens, so people can walk through and see how the camera works firsthand. The camera's back is also retrofitted with a large plasma screen so people around can view portrait sittings in progress.

Since the camera is so large, part of the photo taking process goes on physically inside the camera's body. To get inside, the lens mount on the camera opens like a door, and provides access to the camera's film easel. The easel not only holds a large piece of film (negatives from the camera measure in at an astounding 6 x 4.5 feet), but also holds the electronic controls for things such as the camera's focus, scale, and lights.

Negatives from the camera have to be taped to a window for inspection after a photograph i...

Negatives from the camera have to be taped to a window for inspection after a photograph is taken, and the negatives will ultimately also be exhibited (attached to thin LED panels) as fine art as well.

The project is still in its planning stages, with no dates yet on the map for its cross-country travels. A video overview of the American Portrait Project is below and you can read more about the camera at the project's website.

Source: PetaPixel

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9 Comments

Where does he get the negative film from? (or does he make the negative film material himself?... coz he'd have a lot of trouble stickytaping all that 35mm film together)

Vincent Najger
22nd January, 2012 @ 07:41 pm PST

what is it about 'capturing the american experience' that can;t be 'captured' with a regular camera?

wle

wle
23rd January, 2012 @ 08:07 am PST

Any good 35mm SLR (or larger format) camera made in the last 50 years or so will have better resolving power than any digital camera yet available to the public.

jgemerson
23rd January, 2012 @ 08:50 am PST

Does it take color photos?

Gregg Eshelman
23rd January, 2012 @ 12:59 pm PST

Holy sh*t! That's amazing!

Kirill Belousov
23rd January, 2012 @ 09:35 pm PST

Get the film before Kodak goes under!

dsiple
24th January, 2012 @ 03:37 pm PST

Resolving faces by 1000 times just makes it easier to see the pores...1000 times more to photoshop!

Carlos Grados
24th January, 2012 @ 06:57 pm PST

I would guess that the lens would be better in the back, then you won't have to unhook the trailer if you want to take a picture of scenery.

Paul Anthony
30th January, 2012 @ 02:22 pm PST

What a way to make a living. Some people got it, most of us didn't.

Zappenfusen
3rd February, 2012 @ 06:53 pm PST
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